Ingmar Bergman's two evocative documentaries about his island home are respectful and fascinating.
Ruben Östlund's Palme d'Or winner is a satire about the art world. Extremely funny and at times quite uncomfortable, it has several bravura scenes, despite an overall lack of structure.
Of all the movies in which the female lead has a sexual relationship with an amphibian monster, The Shape of Water is the sweetest. Destined to be a crowd-pleaser, it's a little predictable but an interesting reflection of today's illiberal times.